Untitled VI
Marianthi Papalexandri-Alexandri: Untitled VI für drei Männerstimmen und Klangobjekte (2013/14) UA
The commission was supported by the Ernst von Siemens Musikstiftung
The sound objects were created in cooperation with Pe Lang
2014
Concept, direction : Marianthi Papalexandri Alexandri
Commissioned by ECLAT Festival 2014
Written for Neue Vocalsolisten
Project title: Mediterranean Voices
Sound installation/performance for three male voices, sound sculptures, motors and wooden resonant bodies
2014
Materials : aluminum, acrylic, silicone, rubber, steel, motors, nylon, wood
Commissioned by Neue Vocalsolisten for ECLAT festival of New Music, Stuttgart. Kindly supported by Ernst von Siemens Musikstiftung
In Untitled VI the vocalists are singing with modified resonant tubes and motors the Greek word "akousate" that means to listen attentively. What happens when voice and singing are mediated and controlled with motor driven resonant bodies? How does this act of singing change the physical and imagined presence of the voice? How does it affect the process of intensive listening to one's own voice, to one another, and to external sounds? Exploring these questions, Papalexandri encourages hearing the resonances between different voices and bodies.
text: Dr. Zeynep Bulut
neuevocalsolisten.de/mevo-die-komponisten/articles/mevo-papalexandri.html
marianthi.net
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Untitled VI. Für drei Männerstimmen und Klangobjekte (2013/14)
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Ajouté le 3 septembre 2019
Untitled VI
Marianthi Papalexandri-Alexandri: Untitled VI für drei Männerstimmen und Klangobjekte (2013/14) UA
The commission was supported by the Ernst von Siemens Musikstiftung
The sound objects were created in cooperation with Pe Lang
2014
Concept, direction : Marianthi Papalexandri Alexandri
Commissioned by ECLAT Festival 2014
Written for Neue Vocalsolisten
Project title: Mediterranean Voices
Sound installation/performance for three male voices, sound sculptures, motors and wooden resonant bodies
2014
Materials : aluminum, acrylic, silicone, rubber, steel, motors, nylon, wood
Commissioned by Neue Vocalsolisten for ECLAT festival of New Music, Stuttgart. Kindly supported by Ernst von Siemens Musikstiftung
In Untitled VI the vocalists are singing with modified resonant tubes and motors the Greek word "akousate" that means to listen attentively. What happens when voice and singing are mediated and controlled with motor driven resonant bodies? How does this act of singing change the physical and imagined presence of the voice? How does it affect the process of intensive listening to one's own voice, to one another, and to external sounds? Exploring these questions, Papalexandri encourages hearing the resonances between different voices and bodies.
text: Dr. Zeynep Bulut
neuevocalsolisten.de/mevo-die-komponisten/articles/mevo-papalexandri.html
marianthi.net
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