Yes It's Ananias IV: Turbulences After The Crash Landing into The Fourth Dimension
Year of creation
2023
Label
Yes It's Ananias Audio Produktionen
Credits and thanks
Production: Yes It’s Ananias Audio Produktionen; Chief Producer & Mentoring: Will González; Recorded at NomasMellow Studios Guadalajara, State Of Jalisco, Mexico by Will González; Studio Rent-Out by Neil Damy IV.; Mixed by Laurenz Fregnan in Bern, Switzerland between April–August 2022; Additional Mixing Supervisor Pilot Sacha IV.; Mastered at ho-fi ton Zürich, Switzerland by Martin Hofstetter III.; Mastercut and Vinyl manufactured by Vinyl de Paris, Neuilly sur Marne, France.
Instruments used on this record in no particular order: Roland JX-10; Fender Rhodes MK-I 73 lent from Nacho, the blind Pianist from Guadalajara; Yamaha C3 Grand Piano; Ampeg Micro VR Bass Amp; Fender Blues Deluxe Guitar Amp. A1’s & B6’s fieldrecordings on the airplane by Yes It’s Ananias; A4’s Windspiel fieldrecording by Yes It’s Ananias; B1’s Goliath Feet stompers by Aramis Navarro and Yes It’s Ananias in a mayacult worshiping state of mind; Timeportal Sounddesign (including the airplanecrash-sounddesign on the last track all made by synthesis) by Laurenz Fregnan aka Modolo; B6’s caribbean beach recording & conversation with a tropical bird by Yes It’s Ananias.
Artwork Photography by Nicolas Streichenberg & Aramis Navarro on their worldtrip from Switzerland to emergency Landing in Cuba and then to Mexico NYE '22. Artwork Design, Concept, and visual mentoring: Lea Huser; Psycho Automatic Poems: Nicolas Streichenberg during European Tour with Paula Präktig on an abandoned traincoach somewhere in the middle of Sweden with hyiaperspeed;
Studio Visitors: A fucking loud Porsche 911, Neil Damy for having best lunchtime laughs, David Mihalka for big inspiration, the Rebell (oh wow), Arturo Franco, for Videography; Fresh Ears: Aramis Navarro, Dominik Grenzler aka An Moku, Alisa Nesterova aka Alice Clairemin, T.W. III., Valtteri Vänäänen; International Guidance: Hendrik Lenz in Hamburg, Germany; Stephan Busslinger & Florian Amstutz in North Switzerland; Violetta Grümpel, Middle Italy; Sandrine du Jura, France. Many thanks to Tastenwerk Zürich, the mexican-crew, Einwohnergemeinde Wohlen, S. A. Streichenberg, Markus Rohrer for being the best driving teacher and tastemaker of rocknroll music, The Buenos Dias Social Club, Christian Glatthard, Azur, Lilu the ukrainian war survival cat, Julian Huber & The Risa Hutwerkstatt AG, S. Loosli & R. Hilfiker, Martin «Hofi» Hofstetter, Hania Rani for inspiring me in Thun, Philippe Schnyder for making the best documentaries about psycho automatic pianoplaying, Thomas from Musig I De Altstadt Festival, Dimi Dezibelle (thanks for selling my records!), Vika Kuleshova, Lerie Pemanagpo, every concert goer and supporter of Yes It’s Ananias since day four to experience my art and music to become one.
Thanks for purchasing this limited record. Thanks to people like you, artists, musicians, creators and makers will keep on doing. If you want this place to become a quiet one, keep streaming. Keep on doing what you love, because love is keeping us alive.
Clever Mañana
More information
Added on 25 August 2023
Credits and thanks
Production: Yes It’s Ananias Audio Produktionen; Chief Producer & Mentoring: Will González; Recorded at NomasMellow Studios Guadalajara, State Of Jalisco, Mexico by Will González; Studio Rent-Out by Neil Damy IV.; Mixed by Laurenz Fregnan in Bern, Switzerland between April–August 2022; Additional Mixing Supervisor Pilot Sacha IV.; Mastered at ho-fi ton Zürich, Switzerland by Martin Hofstetter III.; Mastercut and Vinyl manufactured by Vinyl de Paris, Neuilly sur Marne, France.
Instruments used on this record in no particular order: Roland JX-10; Fender Rhodes MK-I 73 lent from Nacho, the blind Pianist from Guadalajara; Yamaha C3 Grand Piano; Ampeg Micro VR Bass Amp; Fender Blues Deluxe Guitar Amp. A1’s & B6’s fieldrecordings on the airplane by Yes It’s Ananias; A4’s Windspiel fieldrecording by Yes It’s Ananias; B1’s Goliath Feet stompers by Aramis Navarro and Yes It’s Ananias in a mayacult worshiping state of mind; Timeportal Sounddesign (including the airplanecrash-sounddesign on the last track all made by synthesis) by Laurenz Fregnan aka Modolo; B6’s caribbean beach recording & conversation with a tropical bird by Yes It’s Ananias.
Artwork Photography by Nicolas Streichenberg & Aramis Navarro on their worldtrip from Switzerland to emergency Landing in Cuba and then to Mexico NYE '22. Artwork Design, Concept, and visual mentoring: Lea Huser; Psycho Automatic Poems: Nicolas Streichenberg during European Tour with Paula Präktig on an abandoned traincoach somewhere in the middle of Sweden with hyiaperspeed;
Studio Visitors: A fucking loud Porsche 911, Neil Damy for having best lunchtime laughs, David Mihalka for big inspiration, the Rebell (oh wow), Arturo Franco, for Videography; Fresh Ears: Aramis Navarro, Dominik Grenzler aka An Moku, Alisa Nesterova aka Alice Clairemin, T.W. III., Valtteri Vänäänen; International Guidance: Hendrik Lenz in Hamburg, Germany; Stephan Busslinger & Florian Amstutz in North Switzerland; Violetta Grümpel, Middle Italy; Sandrine du Jura, France. Many thanks to Tastenwerk Zürich, the mexican-crew, Einwohnergemeinde Wohlen, S. A. Streichenberg, Markus Rohrer for being the best driving teacher and tastemaker of rocknroll music, The Buenos Dias Social Club, Christian Glatthard, Azur, Lilu the ukrainian war survival cat, Julian Huber & The Risa Hutwerkstatt AG, S. Loosli & R. Hilfiker, Martin «Hofi» Hofstetter, Hania Rani for inspiring me in Thun, Philippe Schnyder for making the best documentaries about psycho automatic pianoplaying, Thomas from Musig I De Altstadt Festival, Dimi Dezibelle (thanks for selling my records!), Vika Kuleshova, Lerie Pemanagpo, every concert goer and supporter of Yes It’s Ananias since day four to experience my art and music to become one.
Thanks for purchasing this limited record. Thanks to people like you, artists, musicians, creators and makers will keep on doing. If you want this place to become a quiet one, keep streaming. Keep on doing what you love, because love is keeping us alive.
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