The waste land
Realities, appearing as multiple layers and folds in which memories, cognitions, perceptions are coined and ready to emerge.
The starting point for The Waste Land was an invitation to compose a twenty minutes soundtrack for a documentary movie. Accordingly, Luca Forcucci received six minutes of a field recording, without any mention of its own nature, or any information about the documentary. Forcucci didn’t ask anything about it, instead he listened carefully to the sonic material until images started to appear. The more he listened the more clear images emerged from his own mental movie.